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Why Should The Devil Have All The Best Tunes?

back to 'William Booth - Famous Words'


The theatre in Worcester was crowded for the visit of William Booth on January 22, 1882. Even the General himself 'had great difficulty in getting in'. The door was smashed by the crowd still trying to gain admission after the place was full.
George ' Sailor' Fielder, the Commanding Officer, had been put up to sing. He had been a sea captain with a voice that had often been heard above the roar of the waves. (Forty years later he still had ' a voice like thunder and gloried in open-air fighting'.) He sang his testimony in the words, ' Bless His name, He set me free.'

'That was a fine song. What tune was that? ' inquired the Army's Founder later.

'Oh,' came the reply in a rather disapproving tone, General, that's a dreadful tune. Don't you know what it is? That's " Champagne Charlie is my name".' That's settled it,' William Booth decided as he turned to Bramwell. ' Why should the devil have all the best tunes?'

The adoption of such music was soon put to full use. On Saturday afternoon, May 13, 1882, the congregation at the opening of the Clapton Congress Hall joined heartily in the chorus of Gipsy Smith's solo, ' O the Blood of Jesus cleanses white as snow' to the music of 'I traced her little footsteps in the snow '. There were no qualms of conscience. Many people gathered there knew none of the hymn tunes or gospel melodies used in the churches; the music hall had been their melody school.

An early pamphlet made the Army's position clear by saying that it' considers all music sacred when used with holy purpose'. For his Christmas message to War Cry readers of 1880 William Booth had already written: ' Secular music, do you say, belongs to the devil? Does it? Well, if it did I would plunder him for it, for he has no right to a single note of the whole seven. . . . Every note, and every strain, and every harmony is divine, and belongs to us. . . . So consecrate your voice and your instruments. Bring out your comets and harps and organs and flutes and violins and pianos and drums, and everything else that can make melody. Offer them to God, and use them to make all the hearts about you merry before the Lord.'

Today, however, we have to take great care in the use of music originally written for other purposes. International laws of copyright forbid much that the Army was able to do in earlier times. Nevertheless, music is still one of God's most valuable gifts to mankind.

Hide details for ' Bless His name, He set me free' by Captian William Baugh' Bless His name, He set me free' by Captian William Baugh
The lyrics to 'Bless His Name He sets me free' were written by Captain William Baugh. Son of James Baugh, a farm labourer, he was apparently the eldest of ten children. Converted through a Methodist campaign, he later became a salvationist in Barnsley. As a corps officer, he served at Hartlepool, Sheffield, New Radford and Whitechapel, then opened the Regent Hall Corps, and had other corps appointments in South Wales and the North of England. He was a divisional commander in Canada for four years and then in England where he became a spiritual special and later provincial Young People's Secretary for South London. He often assisted William Booth in his campaigns and retired as a brigadier in 1914. His song 'I was a slave for many years...Bless His Name He sets me free' written to the tune 'Champagne Charlie', first appeared in The War Cry , Christmas 1881.

Companion to the Song Book - Gordon Taylor

The words and music were also published in Salvation Music in1890.



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